http://elenadelrivero.com/pulications daily 0.75 2020-09-23 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582917315292-21N53PM4VCZURYLHYZZV/EDR_Estampa.jpeg Publications Exhibition catalog published by Galeria Mar Estrada (1989) with essay by Francisco Jarauta https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582917315292-21N53PM4VCZURYLHYZZV/EDR_Estampa.jpeg Publications Exhibition catalog published by Galeria Mar Estrada (1989) with essay by Francisco Jarauta https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1584111921943-M8VVR9DO4G787WSFGO22/Gambito_de_dama_Caixa_1989.jpg Publications Queens Gambit ( Gambito de Dama) publish by Fundació Caixa de Pensions (1989) curated by Pablo Ramírez with essay by Horacio Fernández https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582916620582-UGSGT09KYBC1HDMPW4HN/EDR_EspaisCentreDArtContemporani_1994.jpeg Publications Exhibition catalog published by Espais Centre D’Art Contemporani (1994) Girona, Spain, with essay by Maria Josep Balsach https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1584113523197-49EZK5R7W4OQJIIQZCQX/Cinco_Cartas-a_la_Madre_1995.jpg Publications Five Letters to the Mother, Published by Oscar Manesi editor, ( 1995) Madrid https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1584113454919-10YBVI9HVW0M7U6A8214/Cartas_letters_Espacio_Caja_Burgps.jpg Publications Letters ( Cartas), Espacio Caja Burgos, Burgos, Spain (1996) curated by Rufo Criado with an essay by Maria Josep Balsach https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1584117596635-CC925N8EHKT5DXDUOAAO/Five+unsent+letters...Reina+Sovia%2C+Madrid%2C+1997.jpg Publications Five Unsent Letters… Reina Sofia,(Espacio UNO) Madrid (1997), curated by Rafael Doctor with an essay by Assumpta Bassas, https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583585294602-PAC5XGW7UVY9HI4RIWMO/Drawing_Center.jpg Publications “Performance Papers” curated by Catherine de Zegher exhibition catalogue published by the Drawing Center in New York, 2001 with an essay by Elizabeth Finch https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582915417401-6AJFEYOGTPFAM3HULWN9/LasHilanderas.jpg Publications Exhibition catalog published by University of Salamanca (2002), curated by Javier Panera with essays by Elizabeth Finch, Quico Rivas, Maria Josep Balsach, Juan Antonio Ramírez, Maria Milagros Rivera, Javier Panera, and Jonathan Brown. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1584111229844-XQCRV6Z0H211FPDVN0YU/Book_of_dust.jpg Publications Book of Dust published by The Embassy of Spain in Washington DC on the fifth anniversary of September 11th (2006) https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582914875194-W7HUXR727BT2KB7XKGUP/darling_01.jpg Publications Darling, on Rembrandt, Exhibition catalog published by Galeria Elvira González, Madrid (2006) with essays by Elena del Rivero and Kara Vander Weg https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582915403062-I1YST5LFZL0NSY2RK0CN/AtHand.jpg Publications At Hand, 15 years of works on paper. Exhibition catalog published by Institut Valenciá d’art Modern, Valencia, and Patio Herreriano, Valladolid, Spain (2006) curated by Elizabeth Finch with essays by Linda Yablonsky, Elizabeth Finch, Olga Fernández and Mina Takahashi. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582916643646-K37V20JROIJH6INO5E0N/LaRelacio.png Publications La Relació, exhibition catalog published by DUODA, University of Barcelona (2008.) with essays by Bea Espejo and María Milagros Rivera https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582917189329-SQ52VW1AINGMG4S7PB8B/HomeSuite.jpeg Publications Home Suite, exhibition catalog published by the Corcoran Gallery of Art (2008), curated by Sarah Newman. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582916904847-EB5SALRMCV69B2K7RHV6/FlyingLetters.jpeg Publications Exhibition catalog published by Espacio AV (Murcia) & La Conservera (Ceutí), (2010), curated by Pablo del Val with essays by John Yau, Jose María Parreño and Alyssa Casey. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1582915871354-2PJQTNBH1OY6N1UTK95L/HeloisePerfundetOmniaLuce.jpg Publications Exhibition catalog published by DUODA, University of Barcelona (2015) with an essay by Maria Milagros Rivera https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1599837602812-TAHQUJBY5R3GEQ2ED7YD/image-asset.jpeg Publications Gallery brochure for 'Hash Brownies' 2020 with an essay by Cecilia Fajardo-Hill. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1600876196700-4YH4LI3K997TQ9IKJS0M/Catalog_Archivo_del_Polvo_Archive_of+Dust.png Publications Catalog for Archive of Dust exhibited at Matadero Madrid, curated by Mateo Feijóo. Essays by Warwick Anderson, Nada Shabout, among others. http://elenadelrivero.com/hash-brownies daily 0.75 2021-10-23 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583587015154-2BIBJQO3YV4PTS1GA60R/small_2020_HFFA_HashBrownies_Install_09.jpg 2020: "Hash Brownies", after Alice B. Toklas “Hash Brownies” presents del Rivero’s latest canvas “dishtowels”, works on paper and photography in dialogue with a work by Franz Erhard Walther and works by invited artists Amanda Hunter and Alaina Claire Feldman, whose pieces add to del Rivero’s experiential and sensorial approaches to art making. This exhibition is named after the notorious recipe included in Toklas’ 1954 cookbook, which included not only the French recipes collected from Toklas’ time living in Paris with partner Gertrude Stein, but is also peppered with anecdotes from the writer’s life and her relationship with Stein. As 2020 marks the centennial of the 19th amendment granting women’s right to vote in the United States, del Rivero, who considers the kitchen a “political place par excellence”, acknowledges Toklas’ recipe as she honors women’s transgressive efforts throughout history in their fight for equality and against a forced domesticity. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583587015154-2BIBJQO3YV4PTS1GA60R/small_2020_HFFA_HashBrownies_Install_09.jpg 2020: "Hash Brownies", after Alice B. Toklas “Hash Brownies” presents del Rivero’s latest canvas “dishtowels”, works on paper and photography in dialogue with a work by Franz Erhard Walther and works by invited artists Amanda Hunter and Alaina Claire Feldman, whose pieces add to del Rivero’s experiential and sensorial approaches to art making. This exhibition is named after the notorious recipe included in Toklas’ 1954 cookbook, which included not only the French recipes collected from Toklas’ time living in Paris with partner Gertrude Stein, but is also peppered with anecdotes from the writer’s life and her relationship with Stein. As 2020 marks the centennial of the 19th amendment granting women’s right to vote in the United States, del Rivero, who considers the kitchen a “political place par excellence”, acknowledges Toklas’ recipe as she honors women’s transgressive efforts throughout history in their fight for equality and against a forced domesticity. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1599332585986-LF6XA1JVSTXST5FSZ6Q0/2020_HFFA_HashBrownies_Install_11.jpg 2020: "Hash Brownies", after Alice B. Toklas “Letter from Home, dedicated to Mary Magdalene”, 2019, acrylic, bleach and rust on canvas, 43.5 x 60in with a framed, hand illuminated silver gelatin print and a nail, 11 x 14in https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583586620574-OLV0M8GHE4RCQ9I3YA74/2013_Untitled_17_2013-20_MyMountainFlower.jpg 2020: "Hash Brownies", after Alice B. Toklas “My Mountains Flower” 2013-2020 oil on linen with 24 k gold leaf and porcelain angel 24 x 13 in. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583586634050-6XKJVR5LBCL13SZ8GNK1/2012_LoveSong_17_2012-20_TransformedInAPrison.jpg 2020: "Hash Brownies", after Alice B. Toklas “Love Song”, 2013-2019, oil on canvas and steel bars with a pearl, 14 x 14 in https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583587107481-A3YPMR00AOWSGATE2KJT/small_2020_HFFA_HashBrownies_Install_19.jpg 2020: "Hash Brownies", after Alice B. Toklas “Dishtowel dedicated to Kafka”, 2019, acrylic on canvas with stains, wine and turmeric and stitching, 83 x 61.5in inches and a silver gelatin print, 16 x 20in, hand illuminated https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1620313614429-O9LAVE80JN72J61MCGKU/2019_LFH_Suffrage_05_open_to_Kafka_CW.jpg 2020: "Hash Brownies", after Alice B. Toklas “Letter from Home to Kafka”, 2019 Acrylic, bleach wine and stitching on canvas, 83 x 61.5in https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1620313660623-OKR358PQ47LYO7U7OHFA/2019_LFH_Suffrage_02_to_Frederic_DouglassCW.jpg 2020: "Hash Brownies", after Alice B. Toklas “Letter from Home to Frederick Douglass”, 2019, acrylic, bleach, stitching, oil and turmeric on canvas, 83 x 61.5in https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583586648690-DE77X6PM9ZV0WRD3T1CE/2019_FirstLightTompkins_Framed.jpg 2020: "Hash Brownies", after Alice B. Toklas “First Light in Tompkins Square”, 2019, unique hand painted silver gelatin on Hahnemühle 300 grms. paper, 16 x 20in https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583585835390-AXKXJXYQSLJB105H3GT2/image-asset.jpeg 2020: "Hash Brownies", after Alice B. Toklas - "Hash Brownies" after Alice B. Toklas Installation views at Henrique Faria Gallery, February, 2020. Four dishtowels acrylic on canvas, 2019 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583585993563-MSWSO1T7ZV2XXE9P08A7/2020_HFFA_HashBrownies_Install_01.jpg 2020: "Hash Brownies", after Alice B. Toklas Installation view https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1599334681578-MNJEX962Y880DV7IOTEH/2020_HFFA_HashBrownies_Install_06.jpg 2020: "Hash Brownies", after Alice B. Toklas Installation view https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583586691300-EJR0EE6UG7HYJGNBO8KA/2020_HFFA_HashBrownies_Install_07.jpg 2020: "Hash Brownies", after Alice B. Toklas Installation view https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583586713945-NOIH3P2WSO48VTZ4DRYG/2020_HFFA_HashBrownies_Install_03.jpg 2020: "Hash Brownies", after Alice B. Toklas Installation view https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1583585900520-2CEUX46SAM2PI5ATKRVN/small_2020_HFFA_HashBrownies_Install_08.jpg 2020: "Hash Brownies", after Alice B. Toklas http://elenadelrivero.com/suffrage daily 0.75 2023-03-16 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1678901034535-SB06Y9J8DD63ZJDVMA76/image-asset.jpeg 2020-2023: Home Address: Suffrage - City Hall, New York, NY. Curated by John A. Tyson. March 8th, 2023 Photographed by Sheila Murphy Home Address: Suffrage is a multi-platform initiative that began in the summer of 2020 organized by Dr. John A. Tyson of the University of Massachusetts Boston. For the project, del Rivero created 19 flags inspired by dishtowel designs to commemorate the centennial of the Nineteenth Amendment, which legislated women’s right to vote in the United States. Her multiples, emblazoned with a common abstract, geometric pattern, will be hosted by distinct institutions across the nation. The artist will dedicate each suffrage banner to a figure relevant to the sites where they hang or fly—in many cases, notable women of color for whom the vote was not actually available. The works aim to critically address local and national histories even as they unite all of the collaborating institutions in a constellation of American democracy. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1678901034535-SB06Y9J8DD63ZJDVMA76/image-asset.jpeg 2020-2023: Home Address: Suffrage - City Hall, New York, NY. Curated by John A. Tyson. March 8th, 2023 Photographed by Sheila Murphy Home Address: Suffrage is a multi-platform initiative that began in the summer of 2020 organized by Dr. John A. Tyson of the University of Massachusetts Boston. For the project, del Rivero created 19 flags inspired by dishtowel designs to commemorate the centennial of the Nineteenth Amendment, which legislated women’s right to vote in the United States. Her multiples, emblazoned with a common abstract, geometric pattern, will be hosted by distinct institutions across the nation. The artist will dedicate each suffrage banner to a figure relevant to the sites where they hang or fly—in many cases, notable women of color for whom the vote was not actually available. The works aim to critically address local and national histories even as they unite all of the collaborating institutions in a constellation of American democracy. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1678901461871-6JJ0JMBKC3LIMGL3O9X2/_DSC0369.jpeg 2020-2023: Home Address: Suffrage - City Hall, New York, NY. Curated by John A. Tyson. March 8th, 2023 Photograph by Sheila Murphy City Hall, New York, NY. March 8th, 2023 Photo: Sheila Murphy. Home Address is a multi-platform initiative that will take place beginning in the summer of 2020 organized by Dr. John A. Tyson of the University of Massachusetts Boston. For the project, del Rivero has created 19 flags inspired by dishtowel designs to commemorate the centennial of the Nineteenth Amendment, which legislated women’s right to vote in the United States. Her multiples, emblazoned with a common abstract, geometric pattern, will be hosted by distinct institutions across the nation. The artist will dedicate each suffrage banner to a figure relevant to the sites where they hang or fly—in many cases, notable women of color for whom the vote was not actually available. The works aim to critically address local and national histories even as they unite all of the collaborating institutions in a constellation of American democracy. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1678902062922-WQIUHGW05T93IG9E1ULO/Consulate_General_Spain_NYC_DSCF6541.jpg 2020-2023: Home Address: Suffrage Consulate General of Spain, New York, NY Curated by John A. Tyson, 2023 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1648300388481-0FI83UX60ODE543XU46M/image-asset.jpeg 2020-2023: Home Address: Suffrage Hispanic Society, New York, NY. Curated by John A. Tyson, 2022 Photographed by Sheila Murphy https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1620313136604-U9BQ3I1HBYPUXDHQ5FDJ/square_IMG_7167.jpg 2020-2023: Home Address: Suffrage The University of Wyoming, WY. Curated by Diana Baumbach, 2021 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1648300559788-0XNJVBWAKLZ6HEXJ2PXH/small_square_Good_4_Hiigh.jpg 2020-2023: Home Address: Suffrage Art Department’s Ryniker-Morrison Gallery Rocky Mountain College, Billings, MO. Curated by Todd Forsgren, 2021 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1648300507891-7OUEF7XLOLDLM8X4B4T5/2020_HomeAddress-Suffrage_TMA4.jpg 2020-2023: Home Address: Suffrage Tampa Museum of Art, FL. Curated by JoAnna Robotham, 2020 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1620309811985-2HCWXH7JZPENVP38CRI7/cropped_HomeAddressSVM.jpg 2020-2023: Home Address: Suffrage Sun Valley Center for the Arts, ID. Curated by Courtney Gilbert, 2021 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1620312443085-W0HEJ5UJAUOFF2B8FR27/TULANE_LA_TiltonMemorialHall_ElenadelRivero3.jpg 2020-2023: Home Address: Suffrage Tulane University, New Orleans, LA. Curated by Andrea Andersson, 2020 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1620313198512-BDTDRJMDIMA2LDTD96NG/2020_HomeAddress-Suffrage_XavierUniversity_1_Cropped.jpg 2020-2023: Home Address: Suffrage Xavier University, New Orleans, LA. Curated by Andrea Andersson, 2020 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1599334284635-EK4H7C9CPSOI2U7LRUW4/EDR_2020_Henrique_Faria_FullSizeRender+%282%29.jpg 2020-2023: Home Address: Suffrage Henrique Faria Gallery, New York, NY 2020 Photograph courtesy of Henrique Faria http://elenadelrivero.com/2019-the-end-of-the-world daily 0.75 2021-05-19 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440538060-ZF8XNNC1QL1KZKG5EOTX/image-asset.jpeg 2019: The End Of The World In 2016, Del Rivero received the Joan Mitchell artist award and a year later a residency at The Joan Mitchell Foundation in New Orleans. For this residency she proposed a project that dealt with the trauma and recovery efforts in the neighbourhoods that had been devastated by Hurricane Katrina in 2005. Working with a guide, Rob Mohammed, she took photographs and collected remnants of the storm and its effects many years later. Mohammed also took her outside of the city to a part of Southern Louisiana called, among locals, the End of the World, an area where the land and the marshes slowly disappear into the ocean. She then organized all the different components she had gathered into a large installation which took place in New Orleans at The Joan Mitchell Center in 2017. The project, presented at Travesía Cuatro, was deeply inspired by those experiences. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440538060-ZF8XNNC1QL1KZKG5EOTX/image-asset.jpeg 2019: The End Of The World In 2016, Del Rivero received the Joan Mitchell artist award and a year later a residency at The Joan Mitchell Foundation in New Orleans. For this residency she proposed a project that dealt with the trauma and recovery efforts in the neighbourhoods that had been devastated by Hurricane Katrina in 2005. Working with a guide, Rob Mohammed, she took photographs and collected remnants of the storm and its effects many years later. Mohammed also took her outside of the city to a part of Southern Louisiana called, among locals, the End of the World, an area where the land and the marshes slowly disappear into the ocean. She then organized all the different components she had gathered into a large installation which took place in New Orleans at The Joan Mitchell Center in 2017. The project, presented at Travesía Cuatro, was deeply inspired by those experiences. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621439048891-EGLBD4Z7C4PWIEAN8XH6/2019_TC_TEOTW_Install1_G1A7339.jpg 2019: The End Of The World Installation view, Travesía Cuatro https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621439057383-1S85D2B50CBJS7MC6FV4/2019_TC_TEOTW_Install1_G1A7334.jpg 2019: The End Of The World Installation view, Travesía Cuatro https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621439001129-9Y2P2E8IWEMHSZC0ONX3/2019_TC_TEOTW_Install1_G1A7323.jpg 2019: The End Of The World In 2016, Del Rivero received the Joan Mitchell artist award and a year later a residency at The Joan Mitchell Foundation in New Orleans. For this residency she proposed a project that dealt with the trauma and recovery efforts in the neighbourhoods that had been devastated by Hurricane Katrina in 2005. Working with a guide, Rob Mohammed, she took photographs and collected remnants of the storm and its effects many years later. Mohammed also took her outside of the city to a part of Southern Louisiana called, among locals, the End of the World, an area where the land and the marshes slowly disappear into the ocean. She then organized all the different components she had gathered into a large installation which took place in New Orleans at The Joan Mitchell Center in 2017. The project, presented at Travesía Cuatro, was deeply inspired by those experiences. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440679665-O5OCVBLBTSB9D4NGZVJL/2019_TC_TEOTW_Trapeze_Install2_G1A7669.jpg 2019: The End Of The World - Installation view, Travesía Cuatro https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440726003-4I6GXK3CBVHCHBSAVU16/2019_TC_TEOTW_LFH_Install1_G1A7403.jpg 2019: The End Of The World Installation view, Travesía Cuatro https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440768131-5QKY2UEUE92D2MZYY9PI/2019_TC_TEOTW_LFH_Install1_G1A7273.jpg 2019: The End Of The World Installation view, Travesía Cuatro https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440868246-K5PKECB3FXQD7E8E31LO/2019_TC_TEOTW_LaTristezaDeLosNaranjos_Install1_G1A6699.jpg 2019: The End Of The World Installation view, Travesía Cuatro https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621440817129-O00SCDCY24V0T0ZHOXD5/2019_TC_TEOTW_LaTristezaDeLosNaranjos_Install1_G1A7390.jpg 2019: The End Of The World Installation view, Travesía Cuatro http://elenadelrivero.com/new-gallery daily 0.75 2024-12-11 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733939103811-RVWSH91AUP4EPF40K2MQ/2018_PEONY_4_CW.jpg Photography - Contaminated Peopny # 7 20×24 in selenium toned silver gelatin, 2019 Ilford glossy fiber paper. A variable edition of 51 prints from the same 6 × 6 medium format negative that was shot with my hasselblad in the dark rooms at ICP. Each print is different as the contamination acted in different ways each time https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733939103811-RVWSH91AUP4EPF40K2MQ/2018_PEONY_4_CW.jpg Photography - Contaminated Peopny # 7 20×24 in selenium toned silver gelatin, 2019 Ilford glossy fiber paper. A variable edition of 51 prints from the same 6 × 6 medium format negative that was shot with my hasselblad in the dark rooms at ICP. Each print is different as the contamination acted in different ways each time https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733929476720-OK2SKHS0NI5D58HXWFFF/image-asset.jpg Photography - Contaminated PEONY #7 Variable editon of 32 from the same negative 20×24 in selenium toned silver gelatin, Ilford Glossy fiber paper, 2019. A variable edition of 51 prints from the same 6 × 6 medium format negative that was shot with my hasselblad in the dark rooms at ICP. Each print is different as the contamination acted in different ways each time https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733929918230-HS2WG60TTO88F972V88I/2_ADIDAS_HoustonatBroadway_June14th.jpg Photography - BLAC LIVES MATTER Selenium toned Silver gelatin print 14 × 11 in with my contax analogue camera the days after on Houston Street corner with Broadway, 2022 printed at the ICP dark rooms https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733939467510-8BQFLBCBDOF4NYX4R4FE/2019_PEONY_15_CW.jpg Photography - Contaminated Peony, 2019 # 15 a variable editon of 32 20×24 in selenium toned silver gelatin, Ilford fiber glossy 2019. A variable edition of 51 prints from the same 6 × 6 medium format negative that was shot with my hasselblad in the dark rooms at ICP. Each print is different as the contamination acted in different ways each time https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733930580767-R55DWKUKXOAG5O0SAEJY/NOLA_018_Suitcase.jpg Photography - New Orleans Ward NINTH 2018 11 × 14 in. Selenium toned silver gelatin, Ilford Hahnemüler paper. Image taken in New Orleans, Ward Ninth in 2018 with a manipulated Holga camera https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733939794459-HFCDZ6N4T7CMIX2TX9IR/Car_Lower_9th_New_Orleans_2017.jpg Photography - NINTH Ward New Orleans, 2018 11 × 14 in. Selenium toned silver gelatin, Ilford Hahnemüler paper. Image taken in New Orleans, Ward Ninth in 2018 with a manipulated Holga camera https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621445641950-3YDOXMYBT3D8LOR2K5I8/2017_MOTHER_TravesiaCuatro_Install_10.jpg Photography Through this collection of works del Rivero acknowledges Mother, not as an individual but as an encompassing force, present even in absence. Mother is the common denominator shared by all. The works are composed of traditional art materials, combined with items found in the home. These elements are utilized to weave together a narrative of exchange between the feminine domestic sphere and the canon of history. The exhibition opened in Travesía Cuatro, Guadalajara México, December 1st, 2017. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733930881228-XG6SXJN85J6VO99WH9UW/Large_NOLA_Self_Portrait_007.jpg Photography - Portrait by the Mississippi River, 2018 Selenium toned silver gelatin 20×24 in.. Ilford Hahnemüler paper A double exposure shot by the Mississippi river with with a medium format camera a Rolleicord 2018 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733931574418-IQ8YGXES0K6NSND6A2ZN/Nude3_master_PlatinumcurveNA+copy.jpg Photography - NUDE Selenium toned silver gelatin print, fiber paper Ilford glossy 20× 24 in shot with my hasselblad, printed 2020 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733940230260-ARTBAWXDZ7AKKY6RHQ5E/small_Nude_2015_3.jpg Photography - NUDE, 2018 Selenium toned silver gelatin print, fiber paper Ilford glossy 20× 24 in shot with my hasselblad, printed 2020 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621445652741-YXK3W52SW9SDFH8DC3H8/2017_MOTHER_TravesiaCuatro_Install_4.jpg Photography https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733940573293-EJ1WUWHY1H4V2NLM0HYD/small_Nude_2015_1.jpg Photography - NUDE, 2018 Selenium toned silver gelatin 20× 24 in shot with my hasselblad, printed 2020 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733940668207-47T475XUUWO2VSXT0NYK/2016_Photogram_1.jpg Photography - photogram 2018 11 × 14 in. silver gelatin print, fiber paper Ilford glossy https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733940744595-CDPX1JLBXL1XLI3B3NX7/2016_Photogram_B4_Selenium.jpg Photography - photogram 2017 11 × 14 in. silver gelatin print, fiber paper Ilford glossy https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1733940777562-8UVMNHXPR45X04CD8FJD/2016_Photogram_9.jpg Photography - photogram 2020 11 × 14 in. silver gelatin print, fiber paper Ilford glossy http://elenadelrivero.com/20112020-photocollages daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000427833-PP38JYK3SIOQIBQRGUCB/4_2011-15_PhotoCollage_4_CW.jpg 2011-2020: The Photocollages https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000427833-PP38JYK3SIOQIBQRGUCB/4_2011-15_PhotoCollage_4_CW.jpg 2011-2020: The Photocollages https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000577722-RU9VKQB7A5IGKWBGID1J/25_2011-2018_PhotoCollage_25_CW.jpg 2011-2020: The Photocollages “An Archive of Dust: The Photo Collages” was on view at Christie’s, New York from September 9-12, 2021, curated by Meghan Doyle. Marking the 20th anniversary of the September 11th attacks on the World Trade Center, Elena del Rivero exhibited these works for the first time. Made from 2011-2020, these collages consist of analog black and white photographs of works destroyed in del Rivero’s home studio during 9/11. These prints were intentionally destroyed and collaged into new works through the process of mending that is central to del Rivero’s practice. #25 2011-2018 Collaged selenium toned silver gelatin prints with thread 10-1/2” x 14” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000604229-FRK081RVZEE7WMUKMQ0J/27_2011-2018_PhotoCollage_27_CW.jpg 2011-2020: The Photocollages #27 2011-2018 Collaged selenium toned silver gelatin prints with thread and gold leaf on linen 11” x 19-1/4” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000672007-BFALKLE0JHP83WFUI76B/30_2014-2018_PhotoCollage_30_CW.jpg 2011-2020: The Photocollages #30 2014-2018 Collaged selenium toned silver gelatin prints with thread 11” x 16-1/2” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000826116-379DRB7YMTTA24RN8183/11_2012-14_PhotoCollage_11_CW.jpg 2011-2020: The Photocollages # 11 2012-14 Collaged selenium toned silver gelatin prints with thread and salvaged fragment of oil on canvas 11” x 14” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636210613322-TB5BLSCSP6JRUKYXNPGZ/1_2011-15_PhotoCollage_1_CW.jpg 2011-2020: The Photocollages #1 2011-2015 Collaged Selenium toned silver gelatin prints with Spanish lace mantilla and thread 34” x 34” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000915846-HXY2XHJG1J881OCSZ11S/44_2014-2018_PhotoCollage_44_CW.jpg 2011-2020: The Photocollages #44 2014-2018 Collaged selenium toned silver gelatin prints with thread and vintage postcard of Goya’s Retrato del Marqués de San Adrian, Navarra Museum, Spain 18-1/2” x 18-3/4” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635000981044-X92OAJL1O1YHYMNBS7CG/37_2014-2018_PhotoCollage_37_CW.jpg 2011-2020: The Photocollages #37 2014-2018 Collaged selenium toned silver gelatin prints with thread 18-3/4” x 19” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636210401544-T1DSWPA90RJJ3QEKHC0X/image-asset.jpeg 2011-2020: The Photocollages #43 2014-2018 Collaged selenium toned silver gelatin prints with thread and vintage postcard of Curro Romero 11” x 18” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636210631590-BI63V08PWCI83D5VO04R/6_2011_PhotoCollage_6_Scanned.jpg 2011-2020: The Photocollages # 6 2011 Selenium toned silver gelatin prints with oil paint 7-7/8” x 10” http://elenadelrivero.com/100-hours-of-footage daily 0.75 2021-12-05 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635006533797-7UR4WQGM1VBS9K0DOC2C/2002_Dust_VideoStill_Copyright.jpg 100 Hours of Footage Elena del Rivero accumulated one hundred hours of raw footage shot from the windows of her destroyed apartment on Cedar Street, overlooking Ground Zero, and of performances with herself as the only audience while trying to rescue her work Some of this footage has been presented at 1-The International Center for photography in 2011 curated by Carol Squires 2- At Naves Matadero in 2019 curated by Mateo Feijoo 3-The State Museum in Albany NY, 2011 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635006533797-7UR4WQGM1VBS9K0DOC2C/2002_Dust_VideoStill_Copyright.jpg 100 Hours of Footage Elena del Rivero accumulated one hundred hours of raw footage shot from the windows of her destroyed apartment on Cedar Street, overlooking Ground Zero, and of performances with herself as the only audience while trying to rescue her work Some of this footage has been presented at 1-The International Center for photography in 2011 curated by Carol Squires 2- At Naves Matadero in 2019 curated by Mateo Feijoo 3-The State Museum in Albany NY, 2011 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211572244-G37VUMM5YIG7GACQ87UP/2019_Matadero_PabloGomezOgandoRodriguez_1343.jpg 100 Hours of Footage Elena del Rivero accumulated one hundred hours of raw footage shot from the windows of her destroyed apartment on Cedar Street, overlooking Ground Zero, and of performances with herself as the only audience while trying to rescue her work Some of this footage has been presented at 1-The International Center for photography in 2011 curated by Carol Squires 2-The State Museum in Albany NY, 2011 3- At Naves Matadero in 2019 curated by Mateo Feijoo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218309560-6B82YN3Q570WJB0U2JD0/Capilla+Apartamento.00_24_24_01.Imagen+fija057.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638723388785-11FXD9AUYW02D847A71J/2002_Dust_VideoStill_ORIGINAL_website.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218264791-PBE044841D67VROGVHQ7/Pantalla+05.+ceremonia+01.00_14_07_18.Imagen+fija006.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218309495-ZVXZF2M890X1NT6PHYKV/Capilla+Apartamento.01_51_55_12.Imagen+fija029.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218310024-56VJHMDG1WLA208SCPCF/Capilla+Apartamento.01_57_23_12.Imagen+fija027.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218310547-7YQDC9WG1LT3SU2LZ1WJ/Capilla+Apartamento.02_53_35_39.Imagen+fija008.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218310677-TA45D426JHCYKPMDZG0I/Capilla+Apartamento.03_26_08_30.Imagen+fija001.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218311342-9HZJ0B8PKWXJW6B6DIY5/Pantalla+03.+obras+noche+copia.00_41_00_09.Imagen+fija002.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638720905786-H35VTH7WIC3F3BL0JTF3/Pantalla+Centro+nave.+Desnudo.00_00_11_02.Imagen+fija002.jpg 100 Hours of Footage https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636218311982-4QAVVN73SJFCFY7KMIET/Pantalla+Centro+nave.+Desnudo.00_02_12_19.Imagen+fija011.jpg 100 Hours of Footage http://elenadelrivero.com/2020-tableaux-vivants daily 0.75 2021-11-20 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637424990327-U0GU9MK1WET76DDNHZCZ/1_TF2_StoolGoldPearls.jpg 2002: Tableaux Vivants A series of photographs taken with Elena del Rivero’s materials in her studio after it was destroyed during 9/11. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637424990327-U0GU9MK1WET76DDNHZCZ/1_TF2_StoolGoldPearls.jpg 2002: Tableaux Vivants A series of photographs taken with Elena del Rivero’s materials in her studio after it was destroyed during 9/11. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635007449700-LMLWRL8ZJIL5KFSJD86F/2002_CedarSt_Post911_Tableau_Vivant_1.jpg 2002: Tableaux Vivants A series of photographs taken in the destroyed studio with Elena’s own materials. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637424446163-GRPAS4ELJMQ1D58BVQN0/2002_CedarSt_Post911_Pearls_23.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637425304410-OAOLMN1S3JHN1J8RBAAP/2_TF3_Studio.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637425310090-V3KO826UVPBHQF8ZIHL8/5_TF11_Father%27s_Typewriter.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637425743300-06WW6WB875QX2UC8OBS6/2002_CedarSt_Post911_Floor.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637425357054-GSY7CUPH3JN95CTRO9SJ/2002_Studio_Post911_18_StudioFloor_.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637424432808-SQUA9W5NP8QVQIV2JZK9/2002_CedarSt_Post911_Bathroom_with_destoryed_tutu16.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637425623594-3M0NR0LEKND0M0WJ053E/2002_CedarSt_Post911_bed.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637426342253-9K1LDN3Q71Z9FQWYB5GC/12_TF13_StudioYarn.jpg 2002: Tableaux Vivants https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1637426357386-60JMZDLJIHSGWN6R8H0Z/15_TF30_Studio.jpg 2002: Tableaux Vivants http://elenadelrivero.com/20012006-swit-home-a-chant daily 0.75 2022-05-07 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636216799007-3WUK3PKIRAR56O7O0NK1/2008_Corcoran_HomeSuite_Installed_12.jpg 2001-2006: [Swi:t] Home: A Chant A Chant is a site-specific installation representing a graphic documentation of how one artist’s life and art fused in the aftermath of the attack on the World Trade Center. It is a continuation of a previous project [Swi:t] Home. On September 11th, 2001 Elena del Rivero’s studio-home located at 125 Cedar Street, in what later became known as Ground Zero, experienced extreme damage due to the attack and collapse of the World Trade Center. 3,150 pieces of paper were salvaged from the floors of her studio-home. These papers flew in from corporations located at the World Trade Center. She collected them, cleaned them, numbered each of them and photographed them. Proper names found in these fragments of paper were burned. All of them were finally stitched together with silk and pearls – Elena’s own working materials - that were also found scattered and buried in the dust over her studio’s floors. The work was accomplished over a period of five years. Installation of CHANT is accompanied by a sound installation by Lawrence D. Morris “Bring Light” composed for the piece https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636216799007-3WUK3PKIRAR56O7O0NK1/2008_Corcoran_HomeSuite_Installed_12.jpg 2001-2006: [Swi:t] Home: A Chant A Chant is a site-specific installation representing a graphic documentation of how one artist’s life and art fused in the aftermath of the attack on the World Trade Center. It is a continuation of a previous project [Swi:t] Home. On September 11th, 2001 Elena del Rivero’s studio-home located at 125 Cedar Street, in what later became known as Ground Zero, experienced extreme damage due to the attack and collapse of the World Trade Center. 3,150 pieces of paper were salvaged from the floors of her studio-home. These papers flew in from corporations located at the World Trade Center. She collected them, cleaned them, numbered each of them and photographed them. Proper names found in these fragments of paper were burned. All of them were finally stitched together with silk and pearls – Elena’s own working materials - that were also found scattered and buried in the dust over her studio’s floors. The work was accomplished over a period of five years. Installation of CHANT is accompanied by a sound installation by Lawrence D. Morris “Bring Light” composed for the piece https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636216961191-O980S52F4FVCDEIATSP6/2008_Corcoran_HomeSuite_Installed_3.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2008 Home Suite: Corcoran Gallery of Art, Washington, July 9th 2008. Curated by Sarah Newman https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638716720427-OAZF1AODGWM5N7MAVTNK/image-asset.jpeg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2006 At Hand: Institut Valencià d'Art Modern, Valencia. Curated by Elizabeth Finch Photographed by Juan Garcia Rosell https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638716817674-WR6KNP2BD7WYZMM3G69H/2006_IVAM_AtHand_Installed_Montaje_0631sec017.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2006 At Hand: Institut Valencià d'Art Modern, Valencia. Curated by Elizabeth Finch Photographed by Juan Garcia Rosell https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638718120458-XMCOC9S4U202UGZHJ0Q0/2007_AtHand_PH_E68.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2007 A Mano: Trabajos sobre papel, Patio Herreriano, Vallodolid, Spain. Curated by Elizabeth Finch Photographs courtesy of the museum. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638717492528-A49WF9NSMUU33UID90GF/2007_AtHand_PH_E60.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2007 A Mano: Trabajos sobre papel, Patio Herreriano, Vallodolid, Spain. Curated by Elizabeth Finch Photographs courtesy of the museum. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651936439956-7U336UXUIL1MFX1F7XU7/small_2019_Matadero_PabloGomezOgandoRodriguez_1210.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651936559807-G19FU6PVO4UWYIWS3WDV/2019_Matadero__PabloGomezOgandoRodriguez_1213.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638718883231-1PGQ5WORIO4VLNCXURL6/2011_NM_CHANT_BradfordRobotham_HR_2.JPG 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2011 Presented in the lobby gallery of The New Museum, New York, NY, to commemorate the upcoming tenth anniversary of the World Trade Center tragedy on September 11, 2001. Photographs by Bradford Robotham https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638719085653-Y4CMGPXCXWE2LM8JNHS6/2011_NM_CHANT_BradfordRobotham_HR_7.JPG 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2011 Presented in the lobby gallery of The New Museum, New York, NY, to commemorate the upcoming tenth anniversary of the World Trade Center tragedy on September 11, 2001. Photographs by Bradford Robotham https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638719471374-DX48N7J1X01EZC8EGPS0/_DSC2286c.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2021 The Archive of Dust: An Ongoing Project, Es Baluard Museum, Palma de Mallorca Curated by Mateo Feijóo Photographs by David Bonet https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638719903455-ZP3PTK4AIH8OXM4OPS26/_DSC2290c.jpg 2001-2006: [Swi:t] Home: A Chant A Chant, Installation View 2021 The Archive of Dust: An Ongoing Project, Es Baluard Museum, Palma de Mallorca Curated by Mateo Feijóo Photographs by David Bonet https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211496588-EZT9PD20LJW3D7LXXRJI/2008_Corcoran_HomeSuite_Installed_12.jpg 2001-2006: [Swi:t] Home: A Chant A Chant is a site-specific installation representing a graphic documentation of how one artist’s life and art fused in the aftermath of the attack on the World Trade Center. It is a continuation of a previous project [Swi:t] Home. On September 11th, 2001 Elena del Rivero’s studio-home located at 125 Cedar Street, in what later became known as Ground Zero, experienced extreme damage due to the attack and collapse of the World Trade Center. 3,150 pieces of paper were salvaged from the floors of her studio-home. These papers flew in from corporations located at the World Trade Center. She collected them, cleaned them, numbered each of them and photographed them. Proper names found in these fragments of paper were burned. All of them were finally stitched together with silk and pearls – Elena’s own working materials - that were also found scattered and buried in the dust over her studio’s floors. The work was accomplished over a period of five years. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636216408409-FK82ZZHHT10J5ABFEDB2/AChant_NewMuseum_Chant_SMurphy_9.jpg 2001-2006: [Swi:t] Home: A Chant https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636216554232-ZK31EM8D5U3JL6C8HED4/AChant_NewMuseum_Chant_SMurphy_7.jpg 2001-2006: [Swi:t] Home: A Chant https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636216587626-UTAJA0EMBG6SADX6PXKR/AChant_NewMuseum_Chant_SMurphy_18.jpg 2001-2006: [Swi:t] Home: A Chant https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636217244333-ORNVRGIYL3GR2T9UUCZ5/AChant_NewMuseum_Chant_SMurphy_8.jpg 2001-2006: [Swi:t] Home: A Chant http://elenadelrivero.com/2004-nine-broken-letters daily 0.75 2021-12-05 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638728706226-2WLW4MGLYNFXE5TBN37X/small_1_2004_NineBroken_CCarver_III_26_4_1.jpg 2004: Nine Broken Letters https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638728706226-2WLW4MGLYNFXE5TBN37X/small_1_2004_NineBroken_CCarver_III_26_4_1.jpg 2004: Nine Broken Letters https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638730351655-BVKJEGLD0GCM433MUZEQ/Screen+Shot+2021-12-05+at+1.52.13+PM.png 2004: Nine Broken Letters Nine Broken letters were written in broken English (Spanish being Elena’s mother tongue), but these works were also the result of Elena being physically and mentally broken after the event of 9/11. They were written during nine consecutive sleepless nights while she was displaced for 16 months from 125 Cedar St (Ground Zero These letters take on and are influenced by her readings of Florentine Nights by Marina Tsvetayeva. Letter #1, November 7th, At Night Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638730900860-KI25NW5VCJLI3P4BXGDI/Screen+Shot+2021-12-05+at+2.01.19+PM.png 2004: Nine Broken Letters Letter #2 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638730850943-UWHYELMPRS4MG6Q77XFD/web_3_2004_NineBroken_CCarver_III_26_12_3.png 2004: Nine Broken Letters Letter #3 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638730925265-XOQ957382ER93HR9T11Q/web_4_2004_NineBroken_CCarver_III_26_14_4.png 2004: Nine Broken Letters Letter #4 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638729488568-F2L7T9FF0F6TYAZNU1MH/Elena+del+Rivero+3.jpg 2004: Nine Broken Letters https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638730943931-HF8ZNTCBJX8VTA1HG11O/web_5_2004_NineBroken_CCarver_III_26_15_5.png 2004: Nine Broken Letters Letter #5 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638731026971-VIR5VQ3ZX0KBT72LHCHT/web_6_2004_NineBroken_CCarver_III_26_16_6.png 2004: Nine Broken Letters Letter #6 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638731776339-SMY48K0U0ENYZ3L03BEJ/web_7_2004_NineBroken_CCarver_III_26_17_7.png 2004: Nine Broken Letters Letter #7 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638731142656-ZDD8Y38E0GVO1QIJNHFQ/web_8_2004_NineBroken_CCarver_III_26_18_8.png 2004: Nine Broken Letters Letter #8 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638731208463-5A16TNONQEU5XUMFGZPT/web_9_2004_NineBroken_CCarver_III_26_21_9.png 2004: Nine Broken Letters Letter #9 Calligraphy on handmade abaca paper, 56” x 28-1/2” , Text by Elena del Rivero, Design by Kiki Bauer, Calligraphy by Karen Gorst Photographs by Cathy Carver http://elenadelrivero.com/collages daily 0.75 2023-11-29 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635003778978-1GK5GT7K79XS4R7OEJET/image-asset.jpeg 2013-2021: Memory I, Collages Memory, I, is a project of collaged works addressing destruction within the home. Paintings salvaged from Hurricane Sandy, which were previously damaged in 9/11 at my studio home located at 125 Cedar Street facing Tower South on Liberty and Greenwich streets, have been cleaned, cut and collaged with thread, silver leaf and discarded pieces of primed canvas and linen onto museum board in the spirit of mending. Collage suited this project well as the nature of the medium allows for the primal to meander through the process while adding layer upon layer of meaning to the work. Memory, I pays homage and acknowledges the efforts of Kurt Schwitters as well as many others before me, all of whom I have drawn inspiration from since I started this project more than a year ago. At the end of the project which happened during the confinement due to Covid-19, and because of having been witness for Black Lives Matter near where I live in Lower Manhattan, I was, once again, influenced by what I was seeing in the streets and the spirit of this movement of liberation. This event influenced my last collages and it also moved me to photograph some of my collages early morning in Soho, against the graffiti I would encounter in the streets. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635003778978-1GK5GT7K79XS4R7OEJET/image-asset.jpeg 2013-2021: Memory I, Collages Memory, I, is a project of collaged works addressing destruction within the home. Paintings salvaged from Hurricane Sandy, which were previously damaged in 9/11 at my studio home located at 125 Cedar Street facing Tower South on Liberty and Greenwich streets, have been cleaned, cut and collaged with thread, silver leaf and discarded pieces of primed canvas and linen onto museum board in the spirit of mending. Collage suited this project well as the nature of the medium allows for the primal to meander through the process while adding layer upon layer of meaning to the work. Memory, I pays homage and acknowledges the efforts of Kurt Schwitters as well as many others before me, all of whom I have drawn inspiration from since I started this project more than a year ago. At the end of the project which happened during the confinement due to Covid-19, and because of having been witness for Black Lives Matter near where I live in Lower Manhattan, I was, once again, influenced by what I was seeing in the streets and the spirit of this movement of liberation. This event influenced my last collages and it also moved me to photograph some of my collages early morning in Soho, against the graffiti I would encounter in the streets. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1701285545697-WRR40N1UV2W2PFJB2O42/image.jpg 2013-2021: Memory I, Collages Memory I, Installation Views for the Final Installation of the Archive of Dust, Museum of Contemporary Art ( ES BALUARD) Palma de Mallorca 2021 Curated by Mateo Feijóo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211226505-WAJRDWAEJ7DIX1UACPR8/squ_DSC2495.jpg 2013-2021: Memory I, Collages Memory I, Installation Views for the Final Installation of the Archive of Dust, Museum of Contemporary Art ( ES BALUARD) Palma de Mallorca 2021 Curated by Mateo Feijóo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635003822121-IRRPWYN3SJVH17AUKIUU/2014_Memory_I_33_CW.jpg 2013-2021: Memory I, Collages Memory I, Collages is a project of collaged works addressing destruction within the home. The collages utilize paintings salvaged from Hurricane Sandy, which were previously damaged in 9/11 at del Rivero’s studio home located at 125 Cedar Street facing Tower South on Liberty and Greenwich streets. The paintings have been cleaned, cut and collaged with thread, silver leaf and discarded pieces of primed canvas and linen onto museum board in the spirit of mending. 136 collaged work have been produced with remnants destroyed works between 2014-2020. Memory I, #33 2014 Collage with 9/11 and Sandy salvaged fragments of primed linen, thread, ink, staples and salvaged oil painting on linen on linen on museum board 20” x 16” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1635004040871-70GBMIWFS1JQ5QPH29XX/image-asset.jpeg 2013-2021: Memory I, Collages Memory I, #47 2018 Collage salvaged fragments of oil on primed linen, thread, cardboard, staples and 23K gold on plastic on museum board 30” x 20” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636210751357-5XU249715I6WSNMCZK7D/2020_Memory_I_64_PGO.jpg 2013-2021: Memory I, Collages Memory I, #64 2020 9/11 and Sandy salvaged fragments of oil on primed linen, stitching, graphite, 9/11 found fragments of documents, ink on paper, fake pearls, needles and ink on museum board 11-1/2” x 9” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638724333028-C469U4I4IDD3WFTOPVPH/Heart_Pearls_needles_DSCF1531.jpg 2013-2021: Memory I, Collages Memory I, #64 : Installation View 2020 At the end of the project which happened during the confinement due to Covid-19, and because of having been witness for Black Lives Matter near where Elena del Rivero lives in Lower Manhattan, she was, once again, influenced by what I was seeing in the streets and the spirit of this movement of liberation. This event influenced her last collages and it also moved her to photograph some of the collages early morning in Soho, against the graffiti she would encounter in the streets. 11-1/2” x 9” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636210773906-AJP958D87O0LYSSSARRE/2020_Memory_I_65_PGO.jpg 2013-2021: Memory I, Collages Memory I, #65 2020 9/11 and Sandy salvaged fragments of primed linen, oil on primed linen, 9/11 found fragments of documents, stitching, graphite and ink on museum board 10-3/4” x 8-1/2” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638724885926-YSMYQFHV75XSLUZQGHNU/NUBE_LEWIS_DSCF1532_small.jpg 2013-2021: Memory I, Collages Memory I, #65 : Installation View 2020 At the end of the project which happened during the confinement due to Covid-19, and because of having been witness for Black Lives Matter near where Elena del Rivero lives in Lower Manhattan, she was, once again, influenced by what I was seeing in the streets and the spirit of this movement of liberation. This event influenced her last collages and it also moved her to photograph some of the collages early morning in Soho, against the graffiti she would encounter in the streets. 10-3/4” x 8-1/2” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211076298-FMEJLUJO0I0XOYGNTRVZ/2020_Memory_I_67_PGO.jpg 2013-2021: Memory I, Collages Memory I, #67 2020 9/11 and Sandy salvaged fragments of oil on primed linen, silver leaf on primed linen, rope, raw canvas, stitching, graphite and ink on museum board 11-1/2” x 9” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211108054-DF6SXUEOZTNOIULOSN9L/2020_Memory_I_69_PGO.jpg 2013-2021: Memory I, Collages Memory I, #69 2020 9/11 and Sandy salvaged fragments of oil on primed linen, silver leaf on primed linen, ink on primed linen, stitching, 9/11 damaged postcard, Bernini’s Ecstasy of Santa Teresa, Chiesa Della Vitoria, Rome, 9/11 found fragments of office documents and ink on watercolor paper 12” x 9” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638724605363-B7LLBEDUHZX5SAWHV5JI/website_%2397.jpg 2013-2021: Memory I, Collages Memory I, #97 2020 9/11 and Sandy salvaged fragments of oil on primed linen, coated silver leaf on primed linen, stitching, 9/11 damaged postcard, Bernini’s Ecstasy of Santa Teresa, Chiesa Della Vitoria, Rome ink, a pearl, acrylic and graphite on museum board 13” x 11” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638724287552-08U54MUB8WAC4DC9F3J1/FUCK_Sta_Teresa_DSCF1558.jpg 2013-2021: Memory I, Collages Memory I, #97 : Installation View 2020 At the end of the project which happened during the confinement due to Covid-19, and because of having been witness for Black Lives Matter near where Elena del Rivero lives in Lower Manhattan, she was, once again, influenced by what I was seeing in the streets and the spirit of this movement of liberation. This event influenced her last collages and it also moved her to photograph some of the collages early morning in Soho, against the graffiti she would encounter in the streets. 13” x 11” https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211204527-R49P4M0S8QQIIMNBZR6O/2020_Memory_I_110_PGO.jpg 2013-2021: Memory I, Collages Memory I, #110 2020 Collage with 9/11 and Sandy salvaged fragments of oil on linen, stitching, found cardboard frame, staples, graphite and 9/11 damaged postcard (Billie Holiday) with pencil on hand-made abaca paper on museum board 23-1/2” x 17“ https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1636211143187-Q16DR1GBPJTOAE5PW800/2020_Memory_I_111_PGO.jpg 2013-2021: Memory I, Collages Memory I, #111 2020 Collage with 9/11 and Sandy salvaged fragments of acrylic on linen, stitching, staple, and found construction mesh screening on museum board 21-1/2” x 16“ https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638723594036-FIQYR5DPIXTS7NQYNH02/2020_Memory_I_115_PGO.jpg 2013-2021: Memory I, Collages Memory I, #115 2020 Collage with 9/11 and Sandy salvaged fragments of primed linen, silver leaf on linen, stitching, staples, ripped kitchen bags, damaged postcard collage (Aerial view of Guadalajara, Mexico, Bernini, Ecstasy of Saint Teresa, 1647-52, Santa Maria della Vittoria, Rome, Boucher, Louvre), velvet and graphite on museum board 20” x 11-1/2“ https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1638723597723-PFVIH2L2KT2SUD3X3L3E/2020_Memory_I_125_PGO.jpg 2013-2021: Memory I, Collages Memory I, #125 2020 Collage with 9/11 and Sandy salvaged fragments of acrylic and on linen, stitching, acrylic, staple, and acrylic on found cardboard, with pearls and needles on museum board 20” x16“ http://elenadelrivero.com/installations daily 0.75 2023-05-26 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685062449615-GW7BF3M9YQEWZ6Q44FRF/2019_Matadero_PabloGomezOgandoRodriguez_1123.jpg Installations/ Exhibitions https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685062449615-GW7BF3M9YQEWZ6Q44FRF/2019_Matadero_PabloGomezOgandoRodriguez_1123.jpg Installations/ Exhibitions https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685064093034-HZDON9KLO1YICPOBYPU9/smLL_2008_Corcoran_HomeSuite_Installed_12.jpg Installations/ Exhibitions CHANT, installation views at The Corcoran Gallery of Art, Washington DC. July, 2008, curated by Sarah Newman https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685063980199-206ROI83VSIS0OUQXM8P/AChant_NewMuseum_Chant_SMurphy_15.jpg Installations/ Exhibitions CHANT, installation views at The New Museum, September, 2011 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685064135235-8LQ3WP79867A87NTDJQK/small_2019_Matadero_PabloGomezOgandoRodriguez_1210.jpg Installations/ Exhibitions CHANT and video Nude Descending a staircase, installation views at Naves Matadero, Madrid, curated by Mateo Feijoo, 2019 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685062698729-ZXN0TC8IGGFIMJNVPJ6A/2019_Matadero_PabloGomezOgandoRodriguez_1391.jpg Installations/ Exhibitions The Archive of Dust, Installation views, DUST, Naves Matadero, Madrid, 2021, curated by Mateo Feijoo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685062756383-PSEF4UT4MD41R3RBB5NQ/2019_Matadero_PabloGomezOgandoRodriguez_1360.jpg Installations/ Exhibitions The Archive of Dust, Installation views at Naves Matadero, Madrid, 2019, curated by Mateo Feijoo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685062956322-28IFI1C444BL4LXNYV59/_DSC2346.jpg Installations/ Exhibitions The Archive of Dust, installation views of collages over a graffiti wall by Ovas, Es Baluard, Museum of Contemporary Art, Palma de Mallorca, SP, 2021, curated by Mateo Feijoo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685064148839-APOZWHU93SBV4YO7ZNR0/_DSC2498.jpg Installations/ Exhibitions https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685063215205-8ZCBBZ9JYCTBX3TP75RI/installation_views_Collages.jpg Installations/ Exhibitions The Archive of Dust, Installation views with collages over a graffiti wall by OVAS, Es Baluard, Museum of Contemporary Art, Palma de Mallorca, SP, 2021, curated by Mateo Feijoo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685063307976-VPN1VGRJ9Q3TUUAOG9EL/_DSC2349.jpg Installations/ Exhibitions The Archive of Dust, Installation views of Nine Broken Letters, Es Baluard, Museum of Contemporary Art, Palma de Mallorca, SP, 2021, curated by Mateo Feijoo https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1685063348263-252LMRFVX53PDC9U5H7Y/_DSC2465.Dishtowels_Palama.jpg Installations/ Exhibitions The Archive of Dust, Installation views at the Museum of Contemporary Art, Palma de Mallorca for opening night, September 11th, 2021, curated by Mateo Feijoo http://elenadelrivero.com/new-gallery-2 daily 0.75 2023-04-17 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1665626532186-46Q754AHVZCZTU7S5UGY/small_ELENA+DEL+RIVERO_OBRAS_12_SEPTIEMBRE_2022_G1A5320.jpg Assemblages 2021-2022 (ongoing) NO FUNCIONA Assemblage with fragments of Elena’s paintings from the early 90’s And various materials 95 x 37cms unframed. photo Pablo Gómez-Ogando https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1665626532186-46Q754AHVZCZTU7S5UGY/small_ELENA+DEL+RIVERO_OBRAS_12_SEPTIEMBRE_2022_G1A5320.jpg Assemblages 2021-2022 (ongoing) NO FUNCIONA Assemblage with fragments of Elena’s paintings from the early 90’s And various materials 95 x 37cms unframed. photo Pablo Gómez-Ogando https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1665626777929-YVNSB1AB9KCMID8DSUHA/small_ELENA+DEL+RIVERO_OBRAS_12_SEPTIEMBRE_2022_G1A5325.jpg Assemblages 2021-2022 (ongoing) NOTES FROM THE UNDERWORLD Assemblage with fragment form Elena’s painting form the 80’s And various materials 90x63 cms. unframed https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1665626919585-RN8G17L93GLG7QV7Z82B/small_ELENA+DEL+RIVERO_OBRAS_12_SEPTIEMBRE_2022_G1A5299.jpg Assemblages 2021-2022 (ongoing) JUANITA LA LARGA Assemblage with fragment form Elena’s painting form the 90’s And various materials 112x56 unframed https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1650123445940-7EVX9D9UVSUW0APBM5ZU/2012_2021Domestic_Assamblage__DSC2760_CW.jpg Assemblages 2021-2022 (ongoing) Assemblages 2012-Present Assemblages made utilizing fragments from different previous projects and from del Rivero’s oil paintings from the 1990s, Photographs By Pablo Gómez-Ogando Domestic Assemblage, 2012-2021, 18x14” Oil and oxidized silver leaf on linen, 13 x 7 ½ “vintage metal frame, ink and acrylic on evolon and train vintage glass vase 7 x 3 “, dried branches, fabric and a metal hook https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1665627052158-ABFL4BIO12KFJG045C19/small_ELENA+DEL+RIVERO_OBRAS_12_SEPTIEMBRE_2022_G1A5335-Pano.jpg Assemblages 2021-2022 (ongoing) ABIERTO- Aprobado el Proyecto de ley de Sanidad con Ernest LluchAssemblage with fragments of Elena’s paintings from the 80’s and 90’sAnd various materials180x113 cms https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1681751246890-KR62KS3OD9BV2D6ILLCC/image-asset.jpeg Assemblages 2021-2022 (ongoing) Entre Alfileres Assemblage with fragments of Elena’s paintings from the 80’s, her mother peineta, found objects, lace mantilla, And various materials Unframed 190x86cms http://elenadelrivero.com/dust-1 daily 0.75 2022-05-07 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651936984572-ABD5MHRJL8A41W2Y3ZSX/image-asset.jpeg Dust 9/11 Dust, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651936984572-ABD5MHRJL8A41W2Y3ZSX/image-asset.jpeg Dust 9/11 Dust, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651937020950-KNBBHKFHKH6JZM30P2K6/2019_Matadero_PabloGomezOgandoRodriguez_1393.jpg Dust 9/11 Dust, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651937042564-QMUCGQWNKQDTJYAK0OUH/2019_Matadero_PabloGomezOgandoRodriguez_1396.jpg Dust 9/11 Dust, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1651937060860-VA1LXKANZVNIA5GRJBPR/2019_Matadero_PabloGomezOgandoRodriguez_1400.jpg Dust 9/11 Dust, Installation View 2019 An Archive of Dust, Naves Matadero, Madrid Curated by Mateo Feijóo Photographed by Pablo Gómez-Ogando Rodríguez http://elenadelrivero.com/list-of-exhibitions daily 0.75 2025-09-28 http://elenadelrivero.com/contact daily 1.0 2025-12-16 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/7d5bf78c-7b4b-4fb3-a1be-8213a20179a3/_DSC6847.jpg Info - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621444129698-QZNTM9VB3FD2G8TLFI2C/Ajuan Info - Make it stand out Photograph taken by Ajuan http://elenadelrivero.com/publications daily 0.75 2020-09-11 http://elenadelrivero.com/the-paraclete daily 0.75 2021-05-19 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/1621442445219-NQRKWFM1RZPA15MAJBMU/2020_HFFA_HashBrownies_Install_09.jpg The Paraclete - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://elenadelrivero.com/essays daily 0.75 2021-05-19 http://elenadelrivero.com/recent-projects daily 0.75 2025-09-01 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/98ccea5d-a23f-4fd9-961a-d973666ca726/IMG_7285.jpg RECENT PROJECTS - Make it stand out The Burning Project performance took place October 5th, 2024 in San Pedro Fiz de Vilar, Ourense Spain. A project curated by Mateo Feijoo. The project involved the burning of my early paintingsfrom the 7o’s and 80’s after the paintings had been installed for eight months in the households, stables and working spaces of this village’s farmers. The intention is to create new works out of the destruction a learning experience after my twenty year project The Archive of Dust around the recuperation of my destroyed works after 9/11 https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/7d5bf78c-7b4b-4fb3-a1be-8213a20179a3/_DSC6847.jpg RECENT PROJECTS - Make it stand out Fragments of my Ruin, 1980-2022 Installation, of several dishtowels, acrylic and rust on collaged soiled canvas with stitching, 80’s Elena’s paintings collaged with diverse found materials on cardboard a 19th century French Linen torchon and four silver gelatin photographs and a used canvas drop cloth 966 cms. X 350 cms https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/d3b28e5e-2d18-4698-a66b-ba1fbe027c9a/small_2023.COL35.+BIS1.0136.jpg RECENT PROJECTS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/33672e4d-7b63-4d28-b51f-f6c1fcc9ef17/IMG_5201.JPG RECENT PROJECTS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5747108555598646327dd4f6/49df63e9-e5e1-4e2e-abc2-0a1e7c6845f9/_07A5960+copy.jpg RECENT PROJECTS - Make it stand out Letter to the Mother for Transitar “La Quema” a project for the Tapies Museum in Barcelona curated by Mateo Feijoo. July-November 2025